One, 2017, cashmere scraps, thread and dry cleaner bags, 7 x 11 x 6½ inches
Two, 2017, cashmere scraps, thread and stuffing, 7 x 18 x 9 inches
Three, 2017, cashmere scraps, thread and stuffing, 9 x 16 x 14 inches
Four, 2017, cashmere scraps, thread and stuffing, 8½ x 17 x 6 inches
Installation view with Marina Caliari at Free Oakland UP, Oakland, CA. photo: Jocelyn Meggait
Visual Representation of a Josef Albers’ Quote on the Color Red, 2014, 50 found sweaters, chair, 51 x 36 x 18 inches SCRAP, Reclaimed: Elevating the Art of Reuse, 2016, SF Arts Education Project Gallery at the Minnesota Street Project, San Francisco, CA
To understand is to stand under, which is to look up to which is a good way to understand. ~Corita Kent, 2016, jeans, 5 x 5½ x 5½ feet Meaning in Unmaking MFA Exhibition, 2016, Fine Arts Gallery at SF State, San Francisco, CA
Further Together, 2015, 34 denim jeans, a gi pant, straps and hardware, 17 x 10 x 1 feet, The Annual Murphy & Cadogan Contemporary Art Awards Exhibition 2015, SOMArts Cultural Center
Indecipherable, 2015, stream of consciousness writing, found sweater and thread, 27 x 36 x 4 inches
Hypnopompic Artifact, 2014, Thomas the Train Engine bed sheet, 11 x 11 x 5 inches
You are Supported More Than You Know, 2019, Mercury 20 Gallery, Oakland, CA
Kintsugi Healing Cracked Spaces, 2017, PhotoCentral Gallery, Hayward, CA. photo: Geir Jordahl
The knitted strips no longer make this Thomas the Train Engine bedsheet recognizable. Instead, the resulting fuzzy image is reminiscent of a hypnopompic state upon waking, where one is confused and doesn’t know the time of day or the place where one is located.