Meaningful Work

Meaningful Work

“Meaningful Work”
mixed-media: paper, canvas, thread, collage, fabric, muslin, acrylic 7″ x 5″
©2010 Leah Virsik

I’m working on finishing up postcards for my show at the Kensington Library next week and trying to determine appropriate words for my process. I’m also thinking about my next question regarding the evolution of my work as I’m working through Alyson B. Stanfield’s Relatively Pain-Free Artist Statement e-book.

I started the postcards in November 2009 in response to inspiration from Jennie Hinchcliff and Carolee Gilligan Wheeler’s book Good Mail Day and Leah Piken Kolidas’ Art Every Day Month Challenge. I started these works as something that I could do quickly and post on my blog in an evening. I initially sent them out to a few people and then I held back. I wanted to hold onto them and now they’re turning into a sixty postcard installation project. The roots of this work is about appreciating the process and ultimately, myself. It’s about play, acceptance, non-judgment, love, messiness, experimentation, connection and exploration. It’s also about working fast and completion. On one hand, the work is great fun and I get lost in it and don’t want to stop. On the other hand, it’s really difficult work that I don’t want to do. I love the work and I can’t believe I’m getting away with it. All these contradictions…Dichotomy feels like it’s going to be a good title. Thanks Tom.

I’ve created this project, designed how it’ll look, put it out into the world, and am in the process of defending (or at least explaining/creating a story about) it to my audience and my inner critic. It’s my first wall… outside of the studio. At times, especially lately, I’ve felt down about it… how do I hang them? It’s not going to work the way I’ve envisioned… no, no it’ll be fine… Tom helped me and I bought some nails he suggested. I’m excited about the way they look on the wall in the studio now. How do I arrange them? By color? By date created? What if I’m hurrying too much and I’m not doing the work or myself justice? It’s painful or so I choose it to be at times. It’s all an experiment. This is a picture of where I’m at in the world today. Do I like the picture? At times, I really do, other times I don’t want to look at it. It’s my work and I’ll continue to do it.

Next post will be more about my process and about how my work is changing.

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5 Comments

  1. tom
    Posted 22 June 2010 at 12:16 pm | Permalink

    looking forward to seeing it installed. and what you think of it once you have “let it go.”

  2. Posted 22 June 2010 at 2:07 pm | Permalink

    Interesting work…makes me think of topographical maps – if that’s what you call it? Your work always makes me want to learn sewing…if I had a sewing machine! Lovely!

  3. Posted 23 June 2010 at 5:33 pm | Permalink

    Leah,
    Judging by this wonderful piece your show should be amazing! Please send me the info where and when.
    I loved the book you started in class and it looked like you enjoyed “letting things happen”. You have all the reasons to trust yourself!

  4. Posted 24 June 2010 at 5:35 pm | Permalink

    hi leah, i love all these postcards. these past two have been some of my favorites so far. i love the delicacy of this one juxtaposed next to the wire and bright hearts of the last one. i think it’s awesome that you’re putting them all out there for display. i hope you’ll share pictures of the installation!

  5. Posted 30 June 2010 at 11:47 am | Permalink

    …these are gorgeous! Just sit back and have faith….it will all come together, it always does!

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  • Artist statement

    I’m hungry to learn and it’s through my process of creating that I’m ultimately satisfied. I’m curious about different materials and take on the challenge to incorporate what I’m most drawn to into my work. I’m intrigued to discover the resulting patterns and repetition. As I create, I explore my inner landscape. I’m attempting to uncover a stifled sound. It’s my challenge to express this internal voice through my art and ultimately, boldly, out loud.

    My quest to connect my voice with my work has led me to reexamine my personal history. The threads in my bookbinding and in my collage are entwined in my familial roots. Growing up, I remember a quilt frame my dad made, taking up our entire living room. His grandmother taught him to quilt using scraps of clothing. Years later, I began a quilt when a friend was teaching a class on patchwork. To my surprise, cutting up fabric and piecing it back together reminded me of my work with paper collage.

    As a child I would sew with my mom and what I most remember is the guilt I’d feel as I jammed up her machine. Now, when the threads and material bunch up they become useful fodder for my work. In some ways the threads act as a binding element, as in my books, and in other ways they are a reflection of my internal processes.