Monthly Archives: April 2010

Grateful for Support

Voice of Contemplation One

For details on the piece above, click here.

I’d been wanting to get back into blogging… especially since coming back from An Artful Journey in February and meeting such wonderful inspiring women. One of the best things about taking classes and going on retreats is the people! Kelly Warren’s and Roben-Marie Smith’s blogs really inspired and encouraged me. Starting my blog again with an “imperfect” post was my way of “shipping”. (I’ve been reading Seth Godin’s inspiring Linchpin and really enjoying it.) Thanks also to Chrissy Gardner for stopping by! I’m also inspired by her blogging and creative look. I bought a funky, fun skirt last night, that reminded me of her, with the intention of wanting to look and feel more creative.

The best time that I had blogging was last November when I was participating in Leah Piken Kolidas’ Art Every Day Month. I met some really wonderful people there too! I’m now participating in Leah Piken Kolidas’ Creative Every Day Challenge 2010. Thanks to her, the wonderful community she creates there, Linda Tieu and Julie Jordan Scott for reconnecting and encouraging me forward!

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Writing my Artist Statement: Week 2


Mini Fabric Book

Mini-Fabric mixed-media book: (running stitch) beads, fabric, paper, thread, buttons, elastic, metal eyelet 3 1/4″ x 4″ x 1 1/2″ ©2010 Leah Virsik. For image of inside click here.

I’m on my second week of working through Alyson B. Stanfield’s “The Relatively Pain-Free Artist Statement.”

At age six, I wrote that art was my favorite subject. It’s always been something that I’ve been excited about. At age 26, I gave a speech in a drawing class where I feel I first considered myself an artist, at least in a very public way. I took the class with my boyfriend at the time. He drew really well, better than I and he was much more aware. He didn’t love to draw however and didn’t keep up with it. I had a persistence about it. I’m not sure I loved the drawing but the process was enjoyable and it was great to see what came out of me.

Artist is a loaded word. People have different beliefs about what it means. My biggest stumbling block was the fact that I don’t naturally draw realistically. Now, I realize it’s more of a choice or desire than a lack of ability.

One of my favorite definitions of being an artist is in Cay Lang’s Taking the Leap. Cay Lang recalls artist Terry Allen describing how one knows one is an artist: “An artist can’t stop himself. He really has no choice about it.” I can relate to that obsession. I think one can make art but it doesn’t mean one’s an artist. I believe an artist is obsessed, passionate and focused.

I spent a fair amount of time trying to figure out the meaning of “professional artist”. My own initial definition was an artist who sells work, spends a lot of time creating work, marketing it and getting it out into the world. Looking up the phrase brought up other definitions. One from the Canada Council for the Arts gave this definition: professional artist: An artist who: has specialized training in his or her artistic field (not necessarily obtained in an academic institution); is recognized as such by his or her peers (artists working in the same artistic tradition); is committed to devoting more time to the artistic activity if this becomes financially feasible; has a history of public presentation

No language about making money. Very curious how that was my number one requirement. NAVA (Australia) has a definition as well. So, after all that, yes, I consider myself a professional artist. Having a serious commitment to art and it being a major aspect of my life make me a professional artist.

On a bit of a sidenote, I appreciate Seth Godin’s definition of art from Linchpin: “Art is the intentional act of using your humanity to create a change in another person.”

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The process of writing my artist statement: Week 1

For the next 20 weeks, I’ll be working through Alyson B. Stanfield’s “The Relatively Pain Free Artist Statement”. She suggests it as a 20-day exercise but I’m committing to what I can handle right now. I had the great pleasure of meeting her at a seminar she gave in San Francisco last year. I wrote a bit about it here. I highly recommend her book I’d Rather Be in the Studio and her seminars. I was really impressed with the way she really valued took her audience and personalized her talk to us.

I’ve been working with a creativity coach that’s been really good for me. I found her through Eric Maisel’s yahoo group, thanks to Deborah Griffin! My coach, Toni, is very positive and encouraging and also has a great way of gently reminding me to narrow my focus. So I’m committing to apply for my MFA to at least SFSU by the January 2011 deadline. This writing is my preparation for my statement of purpose and artist statement. There are some things in life that might be crazy, impractical, etc. and other people don’t think you should do them but you know that you must. For me, this is one of those things and I’m going for it. Years ago I bought a 1967 VW Beetle. I had no money, I even took an advance from my credit card, no not necessarily the smartest thing… but the decision to move forward on something I really wanted gave me power. I didn’t know exactly what I was getting into but I needed to move out of being safe and do something I really wanted for me.

Now on to answering Alyson B. Stanfield’s questions… I won’t be writing the actual questions but these are my art experiences… the big picture stuff:

Some early memories of making art involve my mom…working on a dried flower arrangement… which I actually won an award for in 1978. I remember being sick and not enjoying working on the project and feeling like my mom helped me a lot. I also remember working on a doll kit with my mom. I cast the doll in a mold and then painted it, it was kind of like Holly Hobby. I never finished it and was left with a really bad memory of “not finishing things”. I remember making puppets and having puppet shows with a friend, taking a puppet class, making felt cutouts for a December calendar that my mom hung on the wall. I remember writing a story in kindergarten and winning first place. I won a stuffed Snoopy and Woodstock, the teacher’s favorite cartoon characters. I was amazed that I had won. I don’t remember the experience of writing. I wrote “bubble” letters in the car on a trip when I probably was a bit older. The lettering was really interesting to me and I remember enjoying the process and being focused when I was drawing.

My dad built a sandbox and some play equipment in our backyard growing up. I remember filling buckets with heavy sand and making “trails” in the sandbox with my younger brother. This I remember being incredibly fun. We’d push the buckets all around the sandbox and we would only walk in the smoothed trail part of the sandbox. I think that memory is important because it’s something I did where I initiated the creation and it was really fun play.

I’ve come back to art throughout my life because I had an interest in something. I learned what letterpress was and I wanted to learn the process… to actually understand it, to create it myself and become really good at it. I wanted to learn how to make books initially because I wanted to present my graphic designs in a portfolio that I made. I would do art on my birthday as a way of taking care of myself, of soothing myself. Art has been a way for me to connect with myself. In my younger years, I would do art when I was single. It was very difficult to do it when I was in a relationship with someone else. It wasn’t until I met my now husband that I let myself really make room for my art. Now, I’m creating art on a much more regular basis and I keep returning because I have to and also because it brings me an incredible amount of joy. I can get really irritable when I haven’t been creating in a while.

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  • Artist statement

    I’m hungry to learn and it’s through my process of creating that I’m ultimately satisfied. I’m curious about different materials and take on the challenge to incorporate what I’m most drawn to into my work. I’m intrigued to discover the resulting patterns and repetition. As I create, I explore my inner landscape. I’m attempting to uncover a stifled sound. It’s my challenge to express this internal voice through my art and ultimately, boldly, out loud.

    My quest to connect my voice with my work has led me to reexamine my personal history. The threads in my bookbinding and in my collage are entwined in my familial roots. Growing up, I remember a quilt frame my dad made, taking up our entire living room. His grandmother taught him to quilt using scraps of clothing. Years later, I began a quilt when a friend was teaching a class on patchwork. To my surprise, cutting up fabric and piecing it back together reminded me of my work with paper collage.

    As a child I would sew with my mom and what I most remember is the guilt I’d feel as I jammed up her machine. Now, when the threads and material bunch up they become useful fodder for my work. In some ways the threads act as a binding element, as in my books, and in other ways they are a reflection of my internal processes.